front cover of The Viking Coloring Book
The Viking Coloring Book
Dayanna Knight
Arizona Center for Medieval and Renaissance Studies, 2017

What do you think of when you think of the Vikings? Fierce warriors? Sailors of magnificent dragon-prowed ships who terrorized North-Western Europe? Do you think of darkened halls thick with smoke and song?

Like all people those researchers now consider to be Viking were much more complex than the modern world sees them as. This coloring book is meant to show that. It is designed to provide scenes of the beauty of the early medieval world the Vikings inhabited. It is in this context that Viking cultures developed. You will find artifacts and animals, plants and landscapes within these pages to explore. Species that held some use to the Vikings, such as those that provided fur in particular have been focused on. Reconstructed scenes are inspired by the diverse world experienced in the north. There are no horned helmets here. The real Vikings were much more practical than that.

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front cover of The Viking Eastern Baltic
The Viking Eastern Baltic
Marika Mägi
Arc Humanities Press, 2019
This book demonstrates howcommunication networks over the BalticSea and further east were establishedand how they took different forms in thenorthern and the southern halves of theEastern Baltic. Changes in archaeologicalevidence along relevant trade routessuggest that the inhabitants of present-day Finland and the Baltic States weremore engaged in Viking easternmovement than is generally believed.
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front cover of Viking Weapons and Combat Techniques
Viking Weapons and Combat Techniques
William R. Short
Westholme Publishing, 2009
A History of the Arms, Armor, and Individual Fighting Strategies of Medieval Europe’s Most Feared Warriors
A source of enduring fascination, the Vikings are the most famous raiders of medieval Europe. Despite the exciting and compelling descriptions in the Icelandic sagas and other contemporary accounts that have fueled this interest, we know comparatively little about Viking age arms and armor as compared to weapons from other historical periods. We know even less about how the weapons were used. While the sagas provide few specific combat details, the stories are invaluable. They were written by authors familiar with the use of weapons for an audience that, likewise, knew how to use them. Critically, the sagas describe how these weapons were wielded not by kings or gods, but by ordinary men, as part of their everyday lives. Viking Weapons and Combat Techniques provides an introduction to the arms and armor of the people who lived in Northern Europe during the Viking age, roughly the years 793–1066. Using a variety of available sources, including medieval martial arts treatises, and copiously illustrated with images of historical artifacts, battle sites, and demonstrations of modern replicas of Viking weapons, the author and his colleagues at Hurstwic (a Viking-age living history organization) and at the Higgins Armory Sword Guild have reconstructed the combat techniques of the Viking age and what is known about the defensive and offensive weapons of the time in general. Throughout, the author corrects some popular misconceptions about Viking warriors and warfare, such as the belief that their combat techniques were crude and blunt rather than sophisticated. In addition, the book provides an overview of Viking history and culture, focusing on the importance of weapons to the society as well as the Vikings’ lasting impact on Europe through their expeditions of trade and exploration.
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front cover of The Vikings
The Vikings
Sæbjørg Walaker Nordeide
Arc Humanities Press, 2019
<div>The prevailing image of a Viking is frequently that of a fierce male, associated with military expansion and a distinctive material culture, and the Vikings have maintained a resonance in the popular imagination to the present day. This book presents a fresh overview of the Vikings from both conceptual and material perspectives. In an engaging survey, Sæbjørg Walaker Nordeide and Kevin J. Edwards analyse Viking religion, economic life, and material culture in and beyond the Scandic homelands.</div>
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front cover of Visions and Victims
Visions and Victims
Art Melodrama in the Films of Carl Th. Dreyer
Amanda Doxtater
University of Wisconsin Press, 2024
Danish film director Carl Th. Dreyer, one of the twentieth century’s most famous filmmakers, is best known for his masterpiece, The Passion of Joan of Arc, and his midcentury classics, Day of Wrath and Ordet. Both viewers and scholars largely leave his early work, for Nordisk Film, on the shelf, dismissing it as immature melodramatic fare produced for a company known for superficial, popular entertainment. In the received historiography, Dreyer broke with Nordisk in the pursuit of developing his film as a high art, eventually succeeding on the world stage as an auteur and eschewing melodrama in favor of austere art film.

Amanda Doxtater offers a necessary corrective to this narrative of his bifurcated career. Close readings of Dreyer’s Nordisk films alongside his mature work reveal a stylistic throughline Doxtater terms “art melodrama,” a form combining the ambiguity, stylization, and consciousness of art cinema with the heightened emotional expressivity and dramatic embodiments characteristic of melodrama. She argues that Dreyer’s major artistic concerns known from his later work—pathos, authenticity, the embodiment of psychological duress, and so on—find their first expression in his Nordisk melodramas, complicating our understanding not only of his later films but also of his early works, and even our understanding of the melodramatic mode in general. Indeed, extending well beyond the career of a singular director, this book challenges assumptions about the relationship between “low-brow” melodrama and “high-brow” art cinema.
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